Make it obvious everywhere when you are looking at things you do not own #117
@@ -3534,3 +3534,49 @@ silent.** `artifactHasTotals` and `artifactHasCredits` are both correct
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and both mean a feature can ship, pass every test, and produce nothing
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for anybody without a single failure anywhere. Checking the *published
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file* is one query and is not implied by any tick in CI.
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## "Do I own this" has two answers in the schema, and one of them is a flag (2026-08-19)
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Decided while doing #38, and it outlives it because every future
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catalog surface has to pick one.
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`explore_index` carries both `in_library` and `local_artist_id` /
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`local_release_group_id` / `local_recording_id`. They are written by
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the same pass (`collectLibraryEntities`), so on a healthy database they
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agree, and the code read them as an OR — `inLibrary || localId > 0` —
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at eight call sites.
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They are not the same kind of thing:
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- **`local_*_id` is a fact with an owner.** Every query that sets one
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joins `audio_files`, and `pruneStaleLocalCrossReferences` clears it
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with an existence test that is a file test in all three cases. It is
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the same rule `explore-album-details`'s `filePaths` implements, one
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layer down and computed once per scan.
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- **`in_library` is a ratchet.** `upsertBatch` raises it with
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`MAX(in_library, excluded.in_library)` and the prune is the only
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thing that lowers it — gated on the local id being non-null, so a row
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holding the flag *without* an id is a fixed point nothing can clear.
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Filed as #118; it still drives search scoring, the popularity-floor
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bypass and two Explore shelves, so routing the UI around it was not a
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fix.
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What made the choice concrete rather than theoretical: on
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`explore-artist-details` the *same card* used both. The context menu
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gated Play on `localId > 0`; the badge used `inLibrary`. An album with
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the flag and no local row drew a green tick saying it was in your
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library, offered no Play, and — the request item being gated on *not*
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owned — offered no way to ask for it either.
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The rejected alternative is worth keeping: batching a real file lookup
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per screenful, the way `credit-store` coalesces. It would have answered
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for **recordings** (`GetFilePathsByRecordingMBIDs`) and most of the
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cards on these surfaces are release groups, so it would have made track
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rows strong, left album cards exactly where they were, and cost a new
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store. The batch that *was* worth adding is a different question —
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`GetAlbumsCompleteness`, "how much of this album is here", which no
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per-card flag can answer at all.
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The general point: **two columns that agree today are not one column.**
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Which of them a new surface reads should be decided by which one has
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something that can un-set it.
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@@ -1658,6 +1658,59 @@ not about plumbing — it says rows may be missing from the page
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altogether, which nothing on screen can show. (`explore-artist-details`
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still uses `loading`; it has no equivalent per-row signal.)
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**And that treatment is the app's, not the page's.**
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`utils/ownership.ts` is the rule written once, because it was written
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at eight call sites and so none of them had the whole of it: Explore's
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cards, `top-results-row` and the artist page's three card shapes all
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mixed owned and unowned with a small badge as the only difference, and
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the badge on the *owned* ones was a green tick — the mark on the common
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case this tracklist removed. Owned is plain and draws no badge at all;
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unowned is dimmed, says so in its accessible name, and keeps its
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request affordance; a partly-held album says how partly.
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Four things about it are load-bearing.
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**Ownership is `localId`, and `inLibrary` is deliberately not
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consulted.** The album page answers with `filePaths`, a real file per
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displayed track, and a card grid cannot afford that — but it does not
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need to, because `explore_index.local_*_id` is built by
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`collectLibraryEntities` from queries that every one join `audio_files`
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and cleared by `pruneStaleLocalCrossReferences`, whose existence test
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is a file test in all three cases. That is the same "ownership is a
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file" rule computed once per scan instead of once per screenful.
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`in_library` is written by the same pass, so the two agree in a healthy
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database, but it is a one-way ratchet
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(`MAX(in_library, excluded.in_library)`) whose only clearing pass is
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gated on a non-null local id: it cannot be un-set on its own (#118).
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One is a fact with an owner; the other is a flag that happens to agree.
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Both `explore-view` and `explore-artist-details` additionally kept a
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`libraryMBIDs` set that accumulated every MBID ever seen with the flag
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and cleared it never, in views that never unmount; both are gone.
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**The two answers used to sit on one card.**
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`renderReleaseMenuItems` gates Play on `release.localId > 0` while the
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badge used `inLibrary`, so an album with the flag and no local row drew
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a tick saying it was in your library, offered no Play, and — the
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request item being gated on *not* owned — offered no way to ask for it
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either. Any new surface that asks the question twice will reproduce it.
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**`aria-disabled` goes on rows and not on cards.** An unowned *row*
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cannot be activated; an unowned *card* still navigates to the catalog
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page for it, which is a perfectly good thing to do with something you
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do not own. The accessible name carries the state either way, which is
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why it is one helper and not a class.
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**The count is batched, not looked up.** `store/completeness-store.ts`
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is `credit-store` one question over: `request()` is per-card and
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coalesces a screenful into one `GetAlbumsCompleteness`, absence is
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cached as an answer (or the albums with no totals re-ask forever), and
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the whole cache is dropped on a scan, a retag or a removal rather than
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aged. `library-status.ts`'s `albumBadgeFor` is where that meets
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`Known`: a total that was never declared is a plain `in-library`, never
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a ring at 0%. One consequence in the badge itself — a `partial` badge
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is *actionable*, and a control named after its action alone dropped the
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count from the one state the ring exists for, so its name is both.
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**A partly-owned album draws the release, not the part.** Once the tags
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say nine of twelve, `buildLibraryEntry` shows the *catalog's* twelve
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with three dimmed, rather than the nine on disk — the missing tracks
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